Universities and Conservatories: Curtis School of Music Cleveland Institute of Music Eastman School of Music Indiana University School of Music The Julliard School McGill University, Montreal Rice University Oberlin Conservatory Temple University Toronto University, Faculty of Music University of Arizona School of Music University of Southern CaliforniaĬompetitions: providing technical support,preparing competition instruments American Harp Society:2003, 2005 Ann Adams Awards:2003 Israel International Harp Competition: 1992, 1998 Lyon & Healy Harpfest International Jazz and Pop Harp Festival: 1993, 1995, 1997, 1999 USA International Harp Competition: 1992, 1995, 1998, 2001, 2004 Peter has done regulation work for: Sydney Symphony, Israel Philharmonic Orchestra, New York Philharmonic, Boston Symphony, National Symphony of China, Australian Royal Opera, Metropolitan Opera, Utah Symphony, Orchestra du Montreal, Vancouver Symphony, Atlanta Symphony, Vancouver Opera and Ballet, Haifa Symphony, Busan Symphony Orchestra, Vienna Philharmonic, Cincinnati Symphony, Philharmonic Orchestra of China, Jerusalem Symphony, Milwaukee Opera and Ballet, Be'er Sheva Symphony, Guangzhou Symphony, Detroit Symphony, KBS Orchestra (Korea), Melbourne Symphony, Hong Kong Philharmonic, National Symphony Orchestra of Taiwan, Los Angeles Philharmonic, Tucson Symphony, Singapore Symphony Orchestra Peter's regular clients have included: Orchestras: Chicago Symphony Dallas Symphony Orchestra Houston Symphony Orchestra Houston Grand Opera Los Angeles Opera Milwaukee Symphony Philadelphia Symphony Pittsburgh Symphony Santa Fe Opera Seattle Symphony Orchestra Seoul Philoharmonic Orchestra Toronto Symphony
Now working freelance Peter's company is based from his home in Albuquerque, New Mexico. In 2005 after twenty years of employment Peter resigned from Lyon & Healy to start Harp Doc LLC. In 1995 he became Chief Harp Technician and in 1999 was named Final Production Manager
By 1994 he had earned the rare title of Master Harp Regulator. From manufacturing many of the harp's mechanical parts to acutally doing the assembly, Peter has done it all.Īs a journeyman regulator in 1988, Peter began traveling and managing the newly established Lyon and Healy Road Service Program which Ed Galchick had begun. In 1986 he moved on to the Regulation department where he trained under Master Regulators Reggie Dzieman and Ed Galchick. Starting as a trunk maker in 1984 Peter Wiley has worked in all aspects of Lyon and Healy's production department. Now on his own after working for years as Lyon and Healy's master harp regulator, Wiley talks about his behind-the-scenes job as one of the harp world's most valuable players." Diagnosing, troubleshooting, and keeping harps in tip-top shape for harpists around the globe is his specialty. "Self-proclaimed Harp Doctor Peter Wiley loves a challenge. Adobe Reader required to view this interview.
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